I contribute and support a few online photography forums. I enjoy seeing other people’s photos. I learn new things, see new perspectives, and get inspired. I definitely value people’s constructive feedback.
Recently, I started to comment on a photo in a street photography group when I read some feedback that disturbed me. Here’s an excerpt from the comment that bothered me.
Unfortunately, for me, your image doesn’t really succeed . . . The man isn’t doing anything interesting.
Here’s an excerpt from what I posted about the same photo that was being critiqued.
Hmmmm, a couple master street photographers immediately came to mind when I saw your post.
Quite a disparity, yes? Almost opposite ends of the spectrum. If anyone says that your photos capture people that aren’t doing anything “interesting”, you are in good company. You are in company with master photographers such as Henri Cartier-Bresson (HCB), Saul Leiter, and William Eggleston.
If you love the mundane and banal, please share your links with the rest of us. Want even more mundane photography? There’s a whole genre dedicated to unremarkable (or remarkable depending on your perspective) landcapes–New Topographics photography.
Here’s my nod to New Topographics in Bali which I exhibited in Ubud a couple years back–Balinality.
Feature photo: Balinality or just another day in the life at Pasar Ubud, Bali?
“To take a photograph is to align the head, the eye and the heart. It’s a way of life”
I’ve been wanting to capture this prominent street mural for quite a while. It never felt right all the times I’ve walked by before. Today, it was different. It called to me. I stopped, said hello to the woman in the photo, and click a few frames. This particular one was my favourite because of that signature Balinese smile.
Sometime in the 1970s, my parents took my brothers and me to Walt Disney World in Orlando, Florida. It was my first trip to the land of Mickey. Even though I was a very self-conscious teenager and terrified of being seen in public with my parents, I was enamoured and mesmerized by the strange, utopian setting that Disney World is famous for.
My father was a keen photographer. So he always supplied us some kind of point-and-shoot film camera to play with on our family vacations. One of the first things I remember seeing at the ‘happiest place on earth’ (after the long queue to get into) was a sign similar to this.
Following the instructions on this sign is a good example of what is notstreet photography. And, this is an auspicious segue to describe street photography in terms of what it isn’t.
What else is not street photography?
Nature landscapes and macro.
Photos of your pet dog and cat.
Abstract & fine art photography.
Urban exploration, cityscapes, & architecture.
“Your eye must see a composition or an expression that life itself offers you, and you must know with intuition when to click the camera.”
“To see rather than look. To create rather than take. To explore rather than visit. To connect rather than separate.”
~Bali Street Photographer
The only thing missing is to practice the above with a camera in hand. Sure, we can go at length talking abut technique: taking stridebys, layering compositions, being candid, approaching strangers, and random street portraits. I feel that these concepts fall into place more naturally when capturing HCB‘s (Henri Cartier-Bresson) decisive moment is cultivated intrinsically. I.e., intuitively feeling when to click–which is the opposite of following a sign that says, “Take your photograph here.”
The “Rules” of Street Photography
Pop-quiz! According to my philosophy, does a candid photo of someone at the beach with no street in sight count as street photography? Yes! Ironically it does. Clear as mud?
Okay, if you need some (shall we say) structure, Lomography’s 10 Golden Rules is the best collection of street photography guidelines I’ve seen compiled in one place. Pay extra careful attention to rule #10.
For me street photography is an attempt to capture random acts of candidness. It’s a human condition style of photography that tries to portray people in everyday life situations where everyone might be looking but not really seeing.
All photos courtesy of mark l chaves unless otherwise stated.
HCB quotes courtesy of Magnum Photos.
Feature photo by mark l chaves on 35mm film taken in Kampong Glam, Singapore.